I watch basketball and baseball very differently. For the most part I don't turn on basketball until the second half. There's no reason to, in my mind. It's like
American Idol,
Dancing With the Stars or the ilk (a host of shows I do not care to watch): you really just care about the ending and everything else before it is just filler. Baseball is different. It's a finely woven story from first pitch to the final out. Some find that difference boring but I'm not one of those. It's the only major sport that's not timed. I love the intricacies of the game, the games within the games, and how each pitch changes that at bat and the at bats after it. "Whatever happened, happened"...but until the last out is recorded, the game isn't over.
LOST is baseball (you were probably wondering where I was going with this analogy. Well, I'm here). You have casual watchers who turn it on for enjoyment but you also have people who analyze every pitch, every at-bat. You have the real hardcore "nerds" who take it to the next level and search every literary reference and spoken word in
LOST or every "
PitchFX" in baseball. I sit someplace in the middle. But if
LOST is truly baseball, then Desmond Hume is the set-up man: a misused character that literally sets up some of the most important parts of what we're watching. Desmond may disappear when we want him most and not be used enough, but he's always giving us great production. We, like Daniel Faraday, need Desmond Hume--he's our constant. And last night's episode was our set-up for the rest of the season.
As good as a shot of MacCutcheon 60 with John Updike
I ended last night's episode "Happy Ending", with a big "what the heck just happened?" I still will honestly say I don't know. But what the heck, I'm going to give it a try,
brutha! John Updike*, in the same
New Yorker article that he famously described Fenway Park as a "lyric little bandbox of a ballpark" also wrote of Fenway that it was "a compromise between Man’s Euclidean determinations and Nature’s beguiling irregularities." Hell, we could use the same description to paint a picture of The Island.
*Side Note: I wrote the Updike piece because I happened to stumble upon it this morning and then saw this (!) in The Atlanic: "On the island, we see a white rabbit named Angstrom who apparently is being subjected to Widmore's electromagnetic tests. Harold C. "Rabbit" Angstrom is the main character in five John Updike novels and represents the struggles of mid-century middle class Americans, with many problems surrounding his family life." (!!!!)
The Island is where we open this episode. In the eye* of one Desmond Hume. The man who is declared to be "special" by everyone Widmore: Charles, Eloise, Daniel, and even Penny. Except when Desmond is blasted into his Sideways World, he has no Penny. He's a rich man without a Penny--which would make him Penniless. He has everything but nothing. He has the approval of Charles Widmore--a man who he constantly sought the approval for in the Island World.
*Side Note: Now, let's remember, when we talk about the eye, we can remember another Bostonian, Ralph Waldo Emerson, and his essay titled "Circles". Read through that when you get a chance for some big LOST-y statements made. The only reason I have this literary reference? 10th grade English and my need to memorize Emerson, Thoreau and all those American authors. But this one was one of my favorites. And I think the most relevant to LOST. Oh yeah, and Penny's last name is Milton. Which I think refer's to John Milton...who wrote "Paradise Lost". I do remember that too.